When LIFE magazine’s Gjon Mili, a technical prodigy and lighting innovator, visited Pablo Picasso in the South of France in 1949, it was clear that the meeting of these two artists and craftsmen was bound to result in something extraordinary. Mili showed Picasso some of his photographs of ice skaters with tiny lights affixed to their skates, jumping in the dark — and the Spanish genius’s lively, ever-stirring mind began to race. “Picasso” LIFE magazine reported at the time, “gave Mili 15 minutes to try one experiment. He was so fascinated by the result that he posed for five sessions, projecting 30 drawings of centaurs, bulls, Greek profiles and his signature. Mili took his photographs in a darkened room, using two cameras, one for side view, another for front view. By leaving the shutters open, he caught the light streaks swirling through space.”Read more: LIFE
Picasso / Mili
Light graffiti? If Picasso was alive he would be like "I did it before it was cool!". And he would be right!
About author: Ricardo N. Leal
One world continues indifferently, unmoved and unchanged, while another spills into it, filling all the cracks and chinks between objects with the swirling indefiniteness of a wanton becoming.
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